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CutConvert
Project handoff for post-production

Move an edit between Premiere, Resolve, Avid and Final Cut,and see what survived.

SRTPremiere transcript

Whole timelines between Premiere Pro, DaVinci Resolve, Final Cut Pro and Avid, converted in your browser: transitions, markers, titles, keyframes and levels carried, with what is kept and what changes shown before you convert. Captions and transcripts too, with their italics, colour, placement and speakers. Nothing is uploaded.

Any of these, to any of these

What survives each route →
Timed textcues · words · speakersstyling · placementTimelineclips · transitionsmarkers · keyframesEDLcut list, report onlySRT / VTTWhisper · AssemblyAI JSONPremiere transcriptRev · Otter · WordTimed CSV · SBV · ASSPremiere .prprojResolve .drpAvid AAFFinal Cut FCPXMLEDL (CMX 3600)Premiere transcript JSONSRT · VTT · iTTSCC · MCC · EBU-STLWord · CSV · Avid TXTFCPXML titlesFCP7 XML → PremiereFCPXML → Final CutResolve projectEDL · shot listEDL event CSVDROPREAD INTOWRITE OUT

Hover a format to see its routes. Two models underneath: timed text and timelines. An EDL is a cut list and never becomes captions.

Convert a file now

Conversions …

Drop EDL, SRT, VTT, .prtranscript, or transcript files

Any caption, transcript or timeline file: CutConvert picks the converter and shows what survives · up to 100 KB per file

Above the free cap: project to project is $5 per file; every other conversion is $3. Pro $9/month covers every type up to 50 MB, Studio $19/month up to 500 MB.

  • Files never leave your device
  • Kept and changed, shown before you convert
  • 18 Premiere project files checked · see the proof
  • Free for about an hour of captions · pricing

Converters, by workflow

Audio handoff & bin reports

Move supported Premiere, Resolve, Final Cut, AAF and Audition audio edits into REAPER, or inspect an Avid bin in a spreadsheet. Review conversion warnings for features that need attention.

Premiere Pro

Transcripts in and out of Premiere — Text-Based Editing imports, .prtranscript exports, captions — plus .prproj conversion to FCP7 XML, FCPXML, EDL, shot list or a Resolve project, carrying transitions, markers, keyframes, levels, speed changes, nests, bins and channel routing.

Avid Media Composer

Bring SRT subtitles into Avid as SubCap caption TXT — and convert Avid AAF exports, with their transitions and markers, to FCP7 XML, FCPXML, EDL, a shot list or a DaVinci Resolve project.

EDL & timelines

Turn a CMX3600 edit decision list into a spreadsheet for conform, VFX pulls, and cue sheets — or write an EDL (with dissolves, M2 speed lines and locator markers) and a shot list straight from a Premiere, Resolve, or Avid project.

Final Cut Pro & Resolve

Bring a Premiere, Resolve or Avid edit into Final Cut Pro as FCPXML (a Premiere edit arrives with its transitions, markers, titles, keyframes, volume, compound clips and bins as keywords), take a Final Cut edit the other way with the same set, move subtitles in and out of FCPXML timelines, export timeline text to Word or CSV, and convert DaVinci Resolve .drp projects to FCP7 XML.

Broadcast captions

Broadcast delivery formats — turn SRT subtitles into Scenarist SCC, MacCaption MCC, or EBU-STL files for US and European delivery specs, and decode them back to SRT.

Subtitles & transcripts

Turn timestamped TXT transcripts, Whisper JSON, CapCut drafts, YouTube SBV, and ASS files into SRT, keep italics, colour and placement when moving subtitles between SRT, WebVTT, ASS and TTML, and send Whisper or AssemblyAI JSON into Premiere with its word timing.

Word & spreadsheet exports

Turn subtitles into deliverables — Word documents for review and translation, CSV for logging and localization — and back.

Free tools

Why editors use it

Free to start

Convert everyday batches for free. Create an account when you need large, high-volume jobs.

Batch in, one ZIP out

Convert a batch within your allowance and download a single ZIP, or one file if that is all you need.

Made for editors

Whole timelines from Premiere, Final Cut and Avid with transitions, markers, titles, keyframes, levels, nests and bins; captions that keep their italics, colour, placement and speakers across SRT, VTT, ASS, TTML, iTT, SCC and STL, any of them in, any of them out; transcripts into Premiere with the words the engine timed. Frame rates and timecode handled the way post expects.

Private by design

Files are converted in your browser. Queued files can be saved locally to restore your job after checkout. Conversion metadata helps us diagnose errors; file contents are not uploaded.

Frequently asked questions

Where are my files processed?

In your browser. The converter runs on your own machine and the file never leaves it; the site only records that a conversion happened. CutConvert never sees, stores, sells or shares your media.

Is it free? Do I need an account?

About an hour of footage per file is free, on every converter: 100 KB of subtitles or captions, 500 KB of Word transcript, 2 MB of transcript JSON, 1 MB of Resolve project, 5 MB of Final Cut XML, with Premiere projects and Avid AAF a little under the hour. Guests get five conversions a month, a free account has no monthly cap within those sizes, and above that project-to-project transfers are $5 per file. Every other conversion is $3, including project files to captions, reports or cut lists, and captions or transcripts into an editor. Pro is $9 a month ($39 a year) for every file type up to 50 MB; Studio is $19 a month ($79 a year) for files up to 500 MB. Paid-file access lasts 24 hours.

What do I get when I convert multiple files?

Drop several files and you get back one ZIP archive containing every converted file. Convert a single file and you get that one file back, no ZIP. Tick extra formats under the output chips and the same ZIP carries every one of them, and a file counts as one conversion whatever it is written to.

Which formats are supported?

Timelines: Premiere .prproj, DaVinci Resolve .drp (as exported, or gzip- or Zstandard-wrapped), Avid AAF and Final Cut FCPXML in; FCP7 XML, FCPXML, Resolve .drp, CMX 3600 EDL and shot-list CSV out. A Premiere or Final Cut edit travels with its transitions, markers, titles, opacity and scale keyframes, clip volume, speed changes, nested sequences, bins, audio channel routing and each file's own frame rate, wherever the output has a place for them; an Avid AAF brings its transitions, markers, clip levels with their keyframes, muted tracks, nested stacks and each clip's own rate. Captions and transcripts, read and written: SRT, WebVTT, SBV, ASS, TTML, DFXP, iTT, SCC, MCC (a second 608 channel comes out as its own file), EBU-STL, Avid caption TXT, CapCut drafts of any size, timed CSV, Word, plain text, Whisper, WhisperX, AssemblyAI, Deepgram, Rev.ai and CapCut JSON, TwitchDownloader chat logs as a chat replay, Premiere transcript JSON and .prtranscript, Rev, Otter and Word-style transcripts, with italics, colour, placement and speakers kept where the output can hold them and measured word timing into Premiere. EDLs become event CSV reports. The capability table lists what every pair keeps.

Can I pick a frame rate?

Yes. For EDL and Avid caption output you can choose 23.976, 24, 25, 29.97, or 30 fps, or let CutConvert auto-detect it from your source.

Guides

All guides →